
When Tim Dunn departed, Busted Fender were booked to play the CAMRA Real Ale Festival
at the Guild Hall in Portsmouth.. A well known blues guitarist and an avid supporter
of the blues Andy Broad was asked to fill the gap for a one-
Andy’s guitar style was very different from Tim Dunn’s; it was much more laid back,
but Andy Mills loved that style of playing and felt that it was in line with the
kind of directional shift the band were going to have to make. Still, there was
that big hole to fill left by Tim Dunn, so the band had to up their game a little
so as not to lose the power of the songs they still wanted to perform. Mick Arloe
began playing a lot more guitar to really drive the rhythm and added more harmonica
to fill spaces. Kevin Brazier came much more to the forefront, taking on more piano
solos. All this helped raise the platform for Andy to work on a punchier style. They
all worked hard and the hard work paid off. Their style changed slightly to a swingier
blues as played by some of the US bands and they began to write more of this material.
It worked well and pretty soon they were accruing more and more supporters, making
up for the ones they lost upon Tim Dunn’s departure. Not everyone was happy with
Fender’s new line up, they had their critics (one describing them as “a bunch of
estate agents” -
After a few more years, Mick Arloe was becoming restless and was talking about leaving the band. The
year was 1996 and he’d been with them since the beginning of 1991. But before he
could do anything about it Kevin Brazier turned up for rehearsal one night and declared
his intention to leave the band. This came as a great shock and almost spelt the
end of the band there and then, as Mick Arloe was as reluctant as ever to carry on
without Kevin. However, they reached the decision to recruit a brass section to replace
the piano. Mick thought of it as a challenge and decided to stick it out. They hired
one of Portsmouth’s greatest trumpet players, Ron Williams, to hand-